
On opening night, a flash of a pyro and out jumps Angel (played by Bea Webster) in a purple and white outfit complete with a large bow tie and spiral designed hat. Using British Sign Language (BSL), sign supported English (SSE) and spoken English, Bea captivated the audience, who responded with classic panto enthusiasm—clapping, shouting, stamping their feet and engaging with joyful energy. From that moment, the audience was transfixed, ready for two hours of laughter and mischief. As Bea exits throwing fairy dust the curtain rises and we see Margherita (Benedetta Zanetti), part of the ensemble and fellow graduate of the Royal Conservatoire of Scotland’s BA Performance in BSL and English program. They burst into song “We are Family” with Benny signing and dancing, centre stage. The night culminated in a standing ovation for what became a five-star panto.
For the audience, it felt like any other magical panto experience—and that was the point. Two immensely talented performers who happen to be deaf were seamlessly integrated into a main stage production. It offered a glimpse into the future: a world where theatre is naturally accessible and inclusive, and deaf performers are cast and celebrated for their talent.
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Rewind a year earlier, when The Gaiety team approached Solar Bear to support their commitment to working with deaf talent on Mother Goose (2024/25). This journey was a transformative learning experience for everyone involved. From inclusive rehearsals to building a robust support system, every step required thoughtful planning and collaboration. We extend our heartfelt thanks to The Gaiety team, including Vince Hope (Artistic Director), the BSL consultants Clare Canton, Jamie Rea, and Ciaran Stewart, the communication support team, and the entire Mother Goose cast and crew.
At Solar Bear, we are excited to continue forging partnerships with venues and theatre companies to promote the rich wealth of deaf talent across the country. This is only the beginning!